Announcing: SheNYC Comes To Atlanta!
We empower women writers to self-produce their work, in a safe environment with subsidized costs and mentorship along the way. And we’re so excited to continue that work in a new city!
Too often, up-and-coming women artists are forced between a rock and a hard place when it comes to getting their work produced in full: either self-produce by raising tons of money from family, friends, and emptying your savings account, or sign away your show to a producer whom you may or may not trust with your work.
We help bridge this gap, giving women an opportunity to fully produce their work onstage without having to go to either of these extremes.
We work with you to co-produce your show: we handle most of the logistics and technical matters, so you can focus on the creative parts of making your show come to life. And we’re there to help, offer advice, and mentor every step of the way as you produce your work in full onstage!
Are you a Georgia-based woman writer with a full-length show?
Script submissions for the 2020 Atlanta Festival are now open!
What kind of shows we accept:
- Full-lengths only (running time between 1 and 2 hours)
- Plays, musicals, or adaptations
- The writing team must be at least 50% women-identifying
- The writing team must be Georgia-based
What kind of shows we do not accept:
- Short plays or short musicals (less than one hour)
- Pieces that are adapted from works that are not public domain or that you can’t prove you have the rights to produce
We help you produce your show. What does that mean, exactly?
She ATL Provides:
THEATER RENTAL
The rental of the theater, which in 2020 will be The Windmill Arts Center, and all of the equipment that goes inside of it:
- All light rentals
- All curtain rentals
- Laptop and speaker system for sound cues
- Miscellaneous tech items like gaff tape, common tools, etc
- A tech slot to tech your show
- General Liability Insurance for your time inside the theater (note that this does not cover your rehearsal time outside of the theater; you may be required to get additional insurance for AEA if you hire AEA actors)
THEATER STAFF
We provide the staff IN the theater to make your tech and performances run smoothly, including:
- A Production Manager and Associate Production Manager to run your tech and call your show
- A lighting designer to design your lights and program the light board during your tech
- 1-2 additional backstage crew members to use in a way that best fits your show
- Full front of house staff – Ushers, Box Office, Concessions, and House Manager
SOME SET PIECES & PROPS
- We provide some limited miscellaneous set pieces that will be shared by all of the shows, exact pieces TBD. In the past, we’ve had tables, chairs, and couches to offer to all of our productions. Our Production Manager will poll the shows in advance of tech to get an idea of what the furniture needs may be.
- An upright piano or keyboard in the space, if needed
MARKETING & ADVERTISING
- We have a marketing campaign advertising the festival as a whole with social media ads, Google Ads, and various ads on other digital outlets that theatergoers frequent
- We made an individualized ad for your show and turn it into a paid social media ad
A SHOW MENTOR
- Unique to She NYC’s festivals, we provide a Mentor to each show. This is a member of our Festival staff who is there to guide you through the festival process, offer advice, and be an extra set of hands to help out as needed.
MISCELLANEOUS
Some other tools and items we provide are:
- Playbill printing for all shows
- A closing night party with awards determined by a panel of industry judges
- Full ticketing system managed by She ATL Box Office staff
- A life-long community of artists who will support all of your work in the future!
You Provide:
CAST AND CREATIVE TEAM
You can choose to work with Union or non-Union artists.
- If you do hire AEA actors, you will need to manage your contract or code with them and provide the insurance required by AEA (your show mentor can help explain!)
DESIGN PIECES
Any additional set, costumes, and props that aren’t covered by our shared pieces.
If your show requires a band, you/your musicians should bring their own instruments beyond a piano.
REHEARSAL STUDIO SPACE
You handle the entire rehearsal process before you get into the She ATL Theater. Booking rehearsal studios tends to be the biggest expense in your budget, so we encourage you to think creatively. Have your read-thru in someone’s living room; rehearse in the park when it’s nice out!
“ELBOW GREASE” MARKETING
While we manage paid ads for the festival, we need your help to spread the word about your show to your networks! You likely won’t need or want to put money into this — just some old-fashioned effort of starting an Instagram for your show, emailing your network to let them know about your performances, and otherwise spreading the word to family & friends.
Frequently Asked Questions
What makes the She ATL Arts Summer Theater Festival different than other theater festivals?
We’re working to create a network of professionals and artists that are devoted to promoting the voices of women in theater — not just put up your show and never hear from you again. We have meetings where all of the writers gather together to mingle, and hope that the other writers and artists involved in the festival will become lifelong friends, mentors, and supporters.
Does it cost anything to participate in the festival?
For our first year in Atlanta, we’re trying something new: no festival participation fees! That means it’s free to be a part of the program. You will be asked to put down a security deposit to secure your place in the festival, if selected, which you will receive back at the completion of the festival program. This protects us in case someone doesn’t follow through with their production.
Otherwise, see above for the list of things She ATL provides versus what you provide: you are financially responsible for those elements. Your show mentor can help you set up a Kickstarter or do a fundraiser to help cover those costs!
What are we looking for?
You’ve got an awesome show. We’ve got an awesome festival. It’s like a match made in heaven.
We look simply for shows that are high-quality and written by women. We like to have a good mix of genres in each festival – plays, musicals, comedies, dramas, experimental works, and more. We also are partial to shows with themes that fit our mission of women’s empowerment. But at the end of the day, we want to show the world that women writers produce high-quality work that deserve to be seen on Broadway and stages around the country – so, the number one factor in our decision-making is how well-written your show is.
Who can apply?
Any woman-identifying writer, or writing team that is at least 50% women, is eligible to apply. So, have a three person team? If music and lyrics are both by women, and the book is by a man, you’re good to go. If you’re a man with a half-finished work, consider pairing with a woman writer, and we’ll take ya! We’re also taking adaptations that are directed or adapted by women, even if they were originally written by men. We only accept full-length shows for the Festival (no short plays), though note that there is a 2-hour run time limit for your performance.
What kind of shows can apply?
Musicals – musicals of any size, shape, and form are welcome to apply. There is especially a lack of women composers getting their work produced in NYC, so we definitely love getting submissions from musical ladies.
Plays – again, plays of any size, shape, and form are welcome to apply! Bonus points if it has a strong female character at its center.
Adaptations – are you a woman director or adapter who wants to do a reverse-gender production of King Lear? We love that. Just make sure you are actually able to obtain the rights to your show (sometimes, special rights have to be obtained if you want to adapt or change gender roles), or better yet, take a public domain play.
How many shows are picked and how will we pick them?
We’re aiming to take 3-4 shows for our She ATL Summer Theater Festival, though we reserve the right to pick as little as 2 or as many as 5 depending on what the submission pool is like.
We’re judging the shows based on two things: The quality of the writing, and the relevance to our mission. Mostly, we’re focused on giving female writers the notoriety and publicity they deserve, so the subject matter of your show will only play into the judging if we have a really tight race between two shows. If we’ve got one slot left and two equally awesome shows, and one is about Napoleon and one is about Molly Pitcher, we’ll probably pick the Molly Pitcher one.
How does the selection process work?
You submit your scripts and application materials by the submission deadline. We pass your script around to a team of script readers, so each script will be read by at least two different people. The shows that get the highest ratings get passed along to the final round, where they will be read by at least two more script readers. Starting in February, we’ll be notifying people if they’re finalists.
By the end of April, all of our selected participants will be notified, and we can start getting to work!
If I submitted a show in the past, can I submit again?
You sure can! You can submit the same show again, particularly if you’ve revised it, or a new show. If you’ve already had a show produced in the Festival, you can also submit a new show for this year.
Will we get feedback on our submissions?
Due to the high volume of submissions, we’re not able to automatically offer feedback on every script. However, if you email us after the script vetting process is over, we’re happy to send you notes from our readers!
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