Submit Your Script

Script submissions for SheNYC and SheLA are NOW OPEN through November 15th at 11:59pm! 

Script Submissions For the 2022 Festivals

Script submissions for the 2022 Festivals in LA and NYC are now open! Send us your full-length plays and musicals for consideration.

SheNYC & SheLA Deadline: November 15th, 2021 at 11:59pm PST. 

Script submissions for the SheATL Festival in Atlanta will open in September/October 2021! Join our mailing list and follow us on social media be the first to find out about those opportunities.

Note that we only accept script submissions during our 2-month submission window. If you would like to be considered for our summer festivals, you must submit your work during that time period. Read on below for more details on what you’ll need to submit and for the application link. 

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What You Will Need To Submit

1. The full script to your show, in PDF form. It must be at least 75% finished. If the rest is not finished, you need to provide a “treatment” (a detailed outline of the scenes that remain to be written, in order) along with the script. Bear in mind that you will have to send us completed script if you’re selected as a finalist.

2. A completed application form with some basic information (see below for FAQs).

3. If your show is a musical, recordings of at least 3 full songs from the show, in mp3 or m4a form. The more you have, the better! A simple recording with just you and your piano is fine, though obviously you want to make your music sound the best it can. Please do not submit Finale or Sibelius files (or any other automated vocals).

Before You Submit Your Script

It’s important to make sure your show is ready for a festival production. Our Festivals differ from city to city, so please read the pages for whichever Festival you plan to apply to — this page outlines exactly what it means to be a part of the Festival! 

 Click the icon to read about each city:

Submissions Timeline

September 2021: Submissions open for NYC and LA Festivals.

November 15th: Deadline for NYC & LA submissions. Submit your show before 11/15 at 11:59pm PST!

October/November 2021: Submissions open for Atlanta Festival. Exact date TBD.

December 15th: Deadline for Atlanta submissions. Submit your show before 12/15 (at 11:59pm EST!)

February 2022: If you’re a semi-finalist, we’ll notify you in February (for NYC/LA) or March (for Atlanta).

April 2022: Our festival participants are notified! We will also notify you if you are not selected. 

April 2022: The deadline to accept your slot in the festival. We’ll give you the exact deadline in your acceptance email. 

May: All the fun stuff starts! We’ll have a meet and greet and info sessions to make sure you feel 100% ready to produce your show in the Festival.

June/July: Start rehearsals for your show!

July/August/September: The Festivals run! Each show will get two set performances during these two weeks, as well as a tech and dress rehearsal slot. We will also leave a few empty performance slots in the schedule so that any show that sells out its first two performances can add extra performances. The dates for the 2022 Festivals are TBD, but typically SheNYC and SheLA happen in July/August, and SheATL happens in late August/early September. 

Frequently Asked Questions

What makes US different FROM other theater festivals?

We’re working to create a network of professionals and artists that are devoted to promoting the voices of women in theater — not just put up your show and never hear from you again.  We have meetings where all of the writers gather together to mingle, and hope that the other writers and artists involved in the festival will become lifelong friends, mentors, and supporters. We provide mentoring and support every step of the way, including a Show Mentor dedicated to be your advocate and personal helper during the process.

What are we looking for?

You’ve got an awesome show. We’ve got an awesome festival. It’s like a match made in heaven.

We look simply for shows that are high-quality and written by people of marginalized genders. We like to have a good mix of genres in each festival – plays, musicals, comedies, dramas, experimental works, and more. We also are partial to shows with themes that fit our mission of women in leadership. But at the end of the day, we want to show the world that our playwrights produce high-quality work that deserves to be seen on Broadway and stages around the country – so, the number one factor in our decision-making is how well-written your show is.

Who can apply?

Any writer of a marginalized gender (including cis women, trans women, non-binary and gender non-conforming writers), or writing team that is at least 50% marginalized genders, is eligible to apply. We’re also taking adaptations that are directed or adapted by folks of marginalized genders, even if they were originally written by men. We only accept full-length shows for the Festival (no short plays), though note that there is a 2-hour run time limit for your performance.

What kind of shows can apply?

Musicals – musicals of any size, shape, and form are welcome to apply. Just keep in mind that 2-hour run time limit. You can submit a show that runs longer than that in its current form, as long as you’re okay with making some trims for the festival.

Plays – again, plays of any size, shape, and form are welcome to apply! 

Adaptations – are you a woman director or adapter who wants to do a reverse-gender production of King Lear? We love that. Just make sure you are actually able to obtain the rights to your show (sometimes, special rights have to be obtained if you want to adapt or change gender roles), or better yet, take a public domain play.

How many shows are picked and how will we pick them?

We’re aiming to take 8 shows for our She NYC Summer Theater Festival, though we reserve the right to pick as little as 6 or as many as 9 depending on what the submission pool is like. For our She L.A. Summer Theater Festival, we’ll pick 5 shows. For Atlanta, we’ll pick 3-5.

We’re judging the shows based on two things: The quality of the writing, and the relevance to our mission. Mostly, we’re focused on giving women writers the notoriety and publicity they deserve, so the subject matter of your show will only play into the judging if we have a really tight race between two shows. If we’ve got one slot left and two equally awesome shows, and one is about Napoleon and one is about Molly Pitcher, we’ll probably pick the Molly Pitcher one.

How does the selection process work?

You submit your scripts and application materials by the submission deadline. We pass your script around to a team of script readers, so each script will be read by at least three different people. The shows that get the highest ratings get passed along to the semi-final round, where they will be read by at least two more script readers, with the highest-scoring shows moving to the finalist round. Starting in February, we’ll be notifying people if they’re finalists on a rolling basis. From there, the finalists are read by our full staff, and we make our final decisions after an in-depth team discussion.

​By April, all of our selected participants will be notified, and we can start getting to work!

If I submitted a show in the past, can I submit again?

You sure can! You can submit the same show again, particularly if you’ve revised it, or a new show. If you’ve already had a show produced in the Festival, you can also submit a new show for this year. 

Will we get feedback on our submissions?

Due to the high volume of submissions, we’re not able to automatically offer feedback on every script. However, if you email us after the script vetting process is over, we’re happy to send you notes from our readers!